NO BLUE, NO GREEN
Brand
SOS OCEANO
Entrant Agency
DROGA5, PART OF ACCENTURE SONG
Category
Print & Publishing
Award
Silver
Festival & Year
Cannes Lions (2026)
Case Study Details
๐๐ผ๐ถ๐ป ๐ผ๐๐ฟ ๐ฐ๐ผ๐บ๐บ๐๐ป๐ถ๐๐ ๐ผ๐ณ ๐ญ๐ + ๐บ๐ฎ๐ฟ๐ธ๐ฒ๐๐ถ๐ป๐ด/๐ฎ๐ฑ๐๐ฒ๐ฟ๐๐ถ๐๐ถ๐ป๐ด ๐ฒ๐ป๐๐ต๐๐๐ถ๐ฎ๐๐๐ ๐ฎ๐ป๐ฑ ๐น๐ฒ๐ฎ๐ฟ๐ป ๐ต๐ผ๐ ๐๐๐ฐ๐ฐ๐ฒ๐๐๐ณ๐๐น ๐ฎ๐ฑ ๐ฐ๐ฎ๐บ๐ฝ๐ฎ๐ถ๐ด๐ป๐ ๐ฎ๐ฟ๐ฒ ๐ฐ๐ฟ๐ฎ๐ณ๐๐ฒ๐ฑ! ๐ฆ๐ถ๐ด๐ป ๐๐ฝ ๐๐ผ ๐ผ๐๐ฟ ๐ญ๐ฌ๐ฌ% ๐ณ๐ฟ๐ฒ๐ฒ, ๐ต๐ฎ๐ป๐ฑ๐ฐ๐ฟ๐ฎ๐ณ๐๐ฒ๐ฑ ๐บ๐ผ๐ป๐๐ต๐น๐ ๐ป๐ฒ๐๐๐น๐ฒ๐๐๐ฒ๐ฟ ๐ต๐ฒ๐ฟ๐ฒ -
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๐๐ผ๐ผ๐ฑ ๐๐ฑ๐ ๐ ๐ฎ๐๐๐ฒ๐ฟ ๐ถ๐ ๐ฎ๐ป ๐ฒ๐
๐ฐ๐น๐๐๐ถ๐๐ฒ ๐ญ% ๐ฐ๐น๐๐ฏ ๐ผ๐ณ ๐ฎ๐น๐น ๐๐ต๐ถ๐ป๐ด๐ ๐บ๐ฎ๐ฟ๐ธ๐ฒ๐๐ถ๐ป๐ด ๐ฎ๐ป๐ฑ ๐ฎ๐ฑ๐๐ฒ๐ฟ๐๐ถ๐๐ถ๐ป๐ด ๐ฎ๐ฐ๐ฟ๐ผ๐๐ ๐๐ต๐ฒ ๐ด๐น๐ผ๐ฏ๐ฒ ๐๐ต๐ฒ๐ฟ๐ฒ ๐๐ฒ ๐ฐ๐ฒ๐น๐ฒ๐ฏ๐ฟ๐ฎ๐๐ฒ ๐๐ผ๐ผ๐ฑ ๐๐ฑ๐ ๐ฎ๐ป๐ฑ ๐๐ฑ ๐ ๐ฎ๐ธ๐ฒ๐ฟ๐ ๐ฎ๐น๐ถ๐ธ๐ฒ! ๐ฉ๐ถ๐๐ถ๐ ๐ผ๐๐ฟ ๐๐ฒ๐ฏ๐๐ถ๐๐ฒ ๐ต๐ฒ๐ฟ๐ฒ - https://www.goodadsmatter.com/
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While forest conservation often dominates conversations around sustainability, the equally critical role of protecting our oceans is often overlooked.
The two-part campaign, โNo Blue, No Greenโ, by SOS Oceanoโa non-profit dedicated to protecting marine lifeโshines a light on a powerful truth: forests and oceans are directly interconnected and without healthy oceans, there can be no forests.
The campaign began by stripping the Brazilian flag of its blue and green colour, rendering it lifeless. The altered flag was unveiled at the United Nations Climate Change Conference, also known as COP30, advocating for the cause at the world's largest climate conferences.
The idea was then extended through a series of striking print ads built around the principle that blue and yellow create greenโthe very colours of the Brazilian flag. Using the flag's iconic composition, the visuals layer ocean elements in blue beneath the yellow diamond, with elements of green flora appearing where the two overlap. The simple visual metaphor reinforces the ecological codependency between oceans and forests.
Each print pairs a marine species with a forest ecosystem, emphasizing the impact that a single marine species has on an entire ecosystem.
Adding to the sustainable cause, the prints were executed using natural pigments, created in collaboration with Joules & Joules.
Country: Brazil
Year: 2026
Organisation: SOS Oceano
Agency: Droga5 Sรฃo Paulo
CEO/Creative Chairperson: Felipe Simi
Co-CEO: Brisa Vicente
Chief Creative Officer (CCO): Rafael Ziggy
Chief Design Officer (CDO): Diego Limberti
Executive Creative Director (ECD): Renata Leรฃo
Creative Directors: Lucas Antunes, Marcelo Diniz
Design Directors: Carlos Passos, Fรกbio Cristo, Marco Loschiavo, Rodrigo Bonfim
Art Directors: Kauรช Barbosa, Joรฃo Cunico, Gustavo Ohnuma, Israel Cunha, Sofia Colautti
Designers: Carlos Passos, Diego Limberti
Copywriter: Tiago Daltro
Motion Director: Marco Loschiavo
Motion Designers: Yasmin Cruz, Patrรญcia Lima
Production Company: Black Madre
Creative Director: Andrรฉ Maciel
Executive Director: Tina Castro
Account: Roberta NOC
Planning: Le Alves, Beatriz Perrote, Tommy Martins
Production: Laryssa Andrade
Illustrators: Andrรฉ Maciel, Diego Abreu
Ink Development: Joules & Joules
Ink Artists: Rafael Carneiro, Bruno Dunley
Silkscreen: Estรบdio Elรกstico
Master Printer: Rogรฉrio Maciel
Craft Paper: Kami
๐๐ฎ๐ป๐ฑ-๐ฝ๐ถ๐ฐ๐ธ๐ฒ๐ฑ ๐ฏ๐ ๐๐ผ๐ผ๐ฑ ๐๐ฑ๐ ๐ ๐ฎ๐๐๐ฒ๐ฟ, ๐ฎ๐ป ๐ถ๐ป๐ถ๐๐ถ๐ฎ๐๐ถ๐๐ฒ ๐ฏ๐ ๐ฃ๐๐ฟ๐ฝ๐ผ๐๐ฒ ๐ฆ๐๐๐ฑ๐ถ๐ผ๐. ๐๐ผ๐น๐น๐ผ๐ ๐๐ ๐ณ๐ผ๐ฟ ๐ถ๐ป๐๐ฎ๐น๐๐ฎ๐ฏ๐น๐ฒ ๐บ๐ฎ๐ฟ๐ธ๐ฒ๐๐ถ๐ป๐ด ๐น๐ฒ๐๐๐ผ๐ป๐ ๐ฒ๐๐ฒ๐ฟ๐ ๐ฑ๐ฎ๐!
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Presentation Board
ยฅ4 No blue, no green.
sos
TAX!
โA light on the threats to marine conservation through
a series of handcrafted original artworksโ
ar
Brazil's flag colors turned into
a warning: life on land depends
on our oceans.
veja
โThe symbolic act of Chief Raoni and activist Paul Watson at COP30."
Not only in nature, but also in color.
ESTADAO ri
โThe flag that disappeared. And the ocean that returnedโ
Using color theory, we brought the Brazilian flag's colors back through a series of sustainable, handcrafted
silkscreen illustrations, mapping endangered marine ecosystems and their direct connection to life on land.
Each artwork translated critical conservation areas into tangible calls for protection, including Albardao, the
Abrolhos reefs and the seamounts of Fernando de Noronha, positioning them as priority candidates for
ities near these ecosystems to pressure
National Park designation, Prints and OOH were strategically placed in:
decision-makers, while the original silkscreen works became an exhibition, raising public awareness for what
and where to protect.
