SHOT WITHOUT PERMISSION

Brand
AMSTEL
Entrant Agency
INGO
Category
Print & Publishing
Award
Shortlist
Festival & Year
Cannes Lions (2026)

Case Study Details

Amstel hired a photographer to shoot real people in real bars — without telling them. A breakdown of how a simple production decision became the entire campaign idea. The brief was authenticity. The answer wasn't a better casting director or a more naturalistic script — it was removing the production process entirely. Photographer Javier Tles moved through neighbourhood bars across multiple cities, capturing moments between friends as they unfolded, instinctively and without direction. No actors. No staging. No consent — at the point of shooting. That last part is where the idea gets interesting. After the images were taken, the team approached subjects to explain the project and obtain explicit permission for use. What remains are photographs that could only exist this way — unposed, unlit for camera, mid-conversation, half-finished. The campaign extends the idea into media. People who spot themselves in outdoor or social placements are invited to come forward and claim a year's supply of Amstel. The audience becomes part of the work. Developed with INGO Amsterdam and Ogilvy Amsterdam, Shot Without Permission positions itself as a direct counterpoint to performance culture — the curated, filtered, optimised version of friendship that dominates both advertising and social media. The strategic grounding is a commissioned study finding that 68% of people feel most themselves around friends — more so than around romantic partners. The founding story does real work here too. Amstel was started in Amsterdam in 1870 by two friends. The brand has always carried that origin — but this is the first time it's been expressed by actually doing what the brand claims to believe in, rather than saying it. In this breakdown, we look at what happens when the production constraint becomes the creative idea. — Campaign: Shot Without Permission (2026) Brand: Amstel / HEINEKEN Agency: INGO Amsterdam x Ogilvy Amsterdam INGO Amsterdam Global CCO: Daniel Fisher Chief Client Officer: Lucy Tone McGurk ECDs: Nicolás López Bravo & Fernando Montero Art Directors: Rafael Ochoa, Andrea López-Boado Copywriter: Anna Breinfalk Editor: Miguel Muriel CEO: Anneke Schogt Client Partner: Floris van de Weg CSO: Hadi Zabad Strategy: Arthur van de Kamp, Twan Wiertz Ogilvy Amsterdam Global CCO: Liz Taylor Account Manager: Rachel Bridgette FAR Media Photographer: Javier Tles Executive Producers: Amalia Cano, Fernando García Patos, Martin de Escalada, Bogdan Maraloiu Producers: Miguel Angel Moyano, Raluca Marinov, Hernan Acuña Video: Paco Morales Digital Producer: Sebas Luragui #advertising #brandstrategy #marketing #creativity #amstel #photography #ad

Presentation Board

AMSTEL CELEBRATES REAL FRIENDSHIP WITHOUT PROJECT THAT CHOSE REAL FILTERS OR SCRIPTS. BACKGROUND 2 MECHANIC INSTEAD OF STAGE. Forbes = = yahoo/news. For years, the beer industry has contributed to A photographic project to become the first fnce the campaign went Live, 4f people promoting an unreslistic image of friendship — beer brand that portrays friendship using aie spotted thenselves, they needed to write to trying to portrey it through sctore pretending real friends. cepturing those sosente without Fire copaias ciel ere eo cicts Gurl ong oe? to be friends. ‘them knowing. ‘SHOOTING pencseniaae To help them, the photos appeared near the very bars where the mosents happened, in local ReTOUCH turned upside newspapers, and in geotargeted social posts. LAOS conn r avert REAL FRIENDSt Bl CAN | ae . REAL FRIENDSHIP iNet — rT CAN'T BE FAKED fee . . = ~ SHOT WITHOUT PERMISSION AT LOS CAMPEONES . SPOTTED YOURSELF? CLAIM YOUR USAGE. "CANT BE FAKED. TEES AT COMPENSATIONGAMSTEL.COM Javier Thes (1965) is 2 Spanish photographer with 2 street photogranhy background. Using the Sony Aloha 7® with ‘the FE Tozeenm f/2.8 OM OSS TI, he worked fast and unobtrusively, capturing real moments in low Light while reserving detail ot high 180, ond shooting fron a distance to frame tight, leer natural menents without being seen.

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